Mump and Smoot in Something Else with Zug

Mump and Smoot in Something Else with Zug

by Michael Kennard and John Turner

February 3–20, 2000

Mump and Smoot in Something Else with Zug

By Michael Kennard & John Turner

Starring: Michael Kennard, John Turner, Christian Laurin, Greg Morrison, Scott Macdonald and Melissa Rood
 Director: Karen Hines 
Associate Director: Jim Warren
 Musical Direction and Score: Greg Morrison 
Movement Coach: Fiona Griffiths
 Lighting Designer: Michel Charbonneau
 Set Designer: Campbell Manning 
Artwork: James Fisher 
Zug, Scurry and Fingers Costumes made by: Heather MacCrimmon
 Cutter: Tracey Glass 
Photography: Gary Mulcahey
 Production Assistant: Scott Macdonald
 Body Parts: Christine Buckell
 Magic Consultant: Magic Mike 
Stage Manager: Michel Charbonneau
 Assistant Stage Manager: Melissa Rood 
Theatre Network
 Production Manager: Bruce Hennel 
House Technician: Kate Bagnall

READ: History of Mump and Smoot

February 3–20, 2000

Opening February 3




Michael Kennard received his BA in Drama from the University of Guelph, after which he studied Clown and Mask at the Theatre Resource Centre in Toronto. His remarkable professional career as co-creator of the clown duo Mump & Smoot has included touring to international acclaim for over 30 years. Awards for MUMP & SMOOT include Dora Awards (Best Production, Best Director), 2 Canadian Comedy Awards (Best New Comedy Play), L.A. Drama-Logue Awards (Best Actors), Boston Theatre Awards (Outstanding Production by a Small Visiting Company). Besides his work with Mump & Smoot, Michael is an Associate Professor and researcher in physical theater at University of Alberta. He is also a solo performer, director and collaborator of new theatrical productions.



John is the co-creator (with Michael Kennard) of Mump & Smoot. He attended three universities but was never inspired to finish. In his twenties he had jobs as a roughneck, orderly, painter, construction worker, frying pan salesman and bartender. Richard Pochinko, Ian Wallace, and Fiona Griffiths introduced him to clown, mask and movement. He also studied bouffon with Philippe Gaulier, physical comedy with John Towsen and improv at Second City. With Mump & Smoot he has co-written and performed in Something, Caged, Ferno, Tense, Something Else and Flux. His directing includes Karen Hines’ Citizen Pochsy, Michael Kennard’s Puzzle Me Red, Miriam Cusson and Mélissa Rockburn’s Stuff, Diana Kolpak’s Lionheart, and De-ba-jeh-mu-jig Theatre’s A Trickster Tale (Tomson Highway), and The Gultch. John also works extensively as a clown coach, director, and teacher across Canada, but primarily on his farm on Manitoulin Island – The Clown Farm ( Other teaching gigs include Yale School of Drama, Laurentian University, California State University, University of Tel Aviv, University of Calgary, The SPACE (the studio he shared with Mike in Toronto), Equity Showcase, the Workman Theatre Project, the Centre For Indigenous Theater, and as part of the De-ba-jeh-mu-jig outreach program. John has been recognized for his work with a Dora award, a Canadian Comedy award, a Boston Theatre award and a Drama Logue award (California).



Karen is a writer, performer and director in theatre, television and film. Her award-winning black comedies for the stage, Hello…Hello (A Romantic Satire) and The Pochsy Plays trilogy have been presented internationally. She has also written several short plays presented by the Tarragon, Volcano, and Actors Theatre of Louisville. Karen directed the original production of Linda Griffiths’ Age of Arousal (ATP) and is the Dora Award-winning director of Horror Clowns Mump & Smoot,  having directed all of their productions to date. A Second City alumna, she has acted extensively in film and television, including three seasons on Ken Finkleman’’s Emmy Award-winning The Newsroom and Married Life for which she was nominated for Gemini and CableACE awards. Karen has recently made the first two in a series of short films featuring the character Pochsy, which are touring an international film festival circuit. She is currently playwright in residence at Alberta Theatre Projects and is writing a black comedy, Drama, as well as a feature-length neo-noir, Deadly is the Female. Her newest Pochsy show will premiere in Munich next fall.



Received 2006 Tony, Drama Desk, Outer Critics Circle Awards and Grammy nomination for his work on The Drowsy Chaperone.  Theatre credits: composer/musical director for Hello…Hello (Tarragon Theatre, The Space), Pochsy’s Lips, Oh, Baby, Citizen Pochsy and Pochsy Unplugged (Toronto Fringe, Canadian/U.S. tours); The Drowsy Chaperone (Toronto Fringe, Theatre Passe Muraille, Winter Garden Theatre, Mirvish Productions); Mump and Smoot In Something Else  (Canadian Stage, Yale Repertory Theatre); Mump and Smoot in Flux (Canadian Stage); An Awkward Evening With Martin & Johnson (Tarragon Extra Space, Tim Sims Playhouse); The Age of Dorian (Artword Theatre). TV: Songs for  Slings & Arrows (Rhombus Media for Showcase/Sundance);  Getting Along Famously (CBC); The Joe Blow Show (Comedy Network). Other: musical director for The Second City national touring company and Alumni Café (Tim Sims Playhouse, Bread and Circus); Score for the short films Pochsy: An Industrial Film and A Tax on Pochsy. Currently working on new musical, Big Rosemary with Lisa Lambert and Blake Edwards.



James Fisher is a visionary artist obsessed with depicting a surreal world strained by an overpopulation of hopeful dreams.  Fisher is the creator of Rue Morgue Magazine’s popular DISFIGURES OF SPEECH column.  He has produced three graphic novelettes entitled “Fishead”, “The Taboo Floo” and “Mump + Smoot in Caged” and runs a monthly online
comic contest called “Creature Captions”. He is an Alumni of the Ontario College of Art & Design Illustration program where he honed his twisted sensibilities.  Also, Fisher composes soundtracks for film, television and theatre.  He performs his music live with the circus electro band called SQUID LID.   Fisher lives in Toronto with his cabinets of curiosity and his invisible cat named Meep. To see and hear more about James Fisher go to