A Guide To Mourning

A Guide To Mourning

by Eugene Stickland

April 4–16, 2000

A Guide To Mourning is an invitation to celebrate. - Edmonton Journal
A Guide To Mourning

Puttin’ the fun back in funerals…

With hits like some Assembly Required and Sitting on Paradise, Eugene Stickland is fast becoming Canada’s favourite comic playwright. His unique take on situations we face has delighted audiences from New York to Calgary, and A Guide to Mourning is no exception. Wally Pringle is dead and when his emotionally vexed family gathers to mourn we’re given an entertaining look at their outlandish and touching attempt to give a decent funeral. This wicked comedy embraces and celebrates life while taking us through one of its most difficult transitions.

Starring: Chris Craddock, Brian Dooley, Darrin Hagen, Linda Huffman, Jeff Page and Bridget Ryan
Directed by: Bradley Moss
Set and Costume Designer: E. Cherie Hoyles
Lighting Designer: David Fraser
Original Music and Sound Designer: Darrin Hagen
Stage Manager: Gina Moe
Apprentice Stage Manager: Kelly Reay
Production Manager: Bruce Hennel

April 4–16, 2000

Opening April 4




Bradley is an MFA graduate in directing from the University Alberta. He joined Theatre Network in 1996 to create the multidisciplinary emerging artist festival – Nextfest. In 2014 Bradley accepted the dual role of Artistic & Executive Director for Theatre Network. Some recent productions include: BED AND BREAKFAST, THE EMPRESS & THE PRIME MINISTER, MINERVA – QUEEN OF THE HANDCUFFS, INFINITY, The Sterling Award Winning Production IRMA VOTH, BUST, GORDON, RED, THE LAST FIVE YEARS, ARMSTRONG’S WAR, the Governor General Nominated THE GRAVITATIONAL PULL OF BERNICE TRIMBLE, the Sterling Award Winning LITTLE ONE, DRIVING MISS DAISY, the Governor General Award Winning PIG GIRL, the Sterling Award Winning LET THE LIGHT OF DAY THROUGH, WHERE THE BLOOD MIXES, IN ON IT, MOVING ALONG, TWELFTH NIGHT, PUBLIC SPEAKING, DOG, THUNDERSTICK, BUDDY, ALIAS GODOT, MISERY, CLOSER AND CLOSER APART, the Sterling Award Winning SUMMER OF MY AMAZING LUCK, TRUE WEST, GIRL IN THE GOLDFISH BOWL, HOSANNA, MARION BRIDGE, A SKULL IN CONNEMARA, the Sterling Award Winning glam rock musical HEDWIG AND THE ANGRY INCH, and HIGH LIFE.



Eugene Stickland is the award-winning author of several frequently produced plays, most notably SOME ASSEMBLY REQUIRED and A GUIDE TO MOURNING, which were written during a decade long residency with Alberta Theatre Projects in Calgary. His play EXCAVATIONS won the Alberta Playwriting Award and received its premiere production at Theatre Network in 2002. Eugene is the current board president of the Alberta Playwrights Network. He lives in Calgary with his daughter Johanna and writes a feature column for the Calgary Herald.



David is an Edmonton based, award-winning theatrical and dance lighting designer. He works extensively across the country and frequents theatres such as Alberta Theatre Projects, Vertigo Theatre (Calgary), The National Arts Centre (Ottawa), Buddies In Bad Times Theatre (Toronto), Workshop West Theatre, L’Uni Theatre, (Edmonton), and The Globe Theatre (Regina). Previous designs with Theatre Network include ALL CLEAR, VINCENT IN BRIXTON, HEDWIG AND THE ANGRY INCH, MIDLIFE, PLAYING BARE, PILEDRIVER!, SUBURBAN MOTEL, and A GUIDE TO MOURNING. Throughout the last eight years, David has also been the resident designer with Concrete Theatre, and with the Brian Webb Dance Company, and in 2002 his design for Tania Alvarado’s AZUL ABIERTO toured throughout the country and Europe. Most recent credits include lighting for DEATH AND THE MAIDEN and the Globe Theatre, and the assistant light designer for THE CIRCLE AND THE PHILANDERER at the Shaw Festival.



Recent Stage Management credits include: THE EMPRESS & THE PRIME MINISTER and THE LAST FIVE YEARS for Theatre Network; OH CHRISTMAS TREE for the Roxy Series; THE COLOR PURPLE for The Citadel Theatre; THE BAD SEED, SHOCKER’S DELIGHT and THE SALON OF THE TALKING TURK for Teatro La Quindicina; and WITCH HUNT AT THE STRAND for Workshop West Playwrights’ Theatre.